Felicity Nussbaum Personal Page
Felicity A. Nussbaum

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Professor. Eighteenth-Century Literature; Critical Theory; Gender Studies; Autobiography; Satire.

Defects: Engendering The Modern Body (with Helen Deutsch) University of Michigan Press, 2000.

Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater. University of Pennsylvania Press, 2010.

Editor. The Arabian Nights in Historical Context: Between East and West (with Saree Makdisi). Oxford University Press, 2008.

The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century, Cambridge University Press 2003.

Editor, The Global Eighteenth Century,
The Johns Hopkins University Press 2003.

Torrid Zones: Maternity, Sexuality and Empire in Eighteenth-Century English Narrative. Baltimore and London: Johns Hopkins Univ. Press, 1995.

The Autobiographical Subject: Gender and Ideology in Eighteenth-Century England. Baltimore and London: Johns Hopkins Univ. Press, 1989. Co-recipient of Louis Gottschalk Prize. Paperback issued 1995.

Editor. The New Eighteenth Century: Theory/Politics/English Literature (with Laura Brown). New York and London: Methuen, 1987.

"The Brink of All We Hate": English Satires on Women, 1660-1750. Lexington: The Univ. Press of Kentucky, 1984.

"Actresses and the Economics of Celebrity, 1700-1800," ed. Mary Luckhurst and Jane Moody, Celebrity and British Theatre, 1660-2000 (Palgrave Macmillan
Press, 2005).

"Women Writing the East after 1750: Revisiting a 'Feminine' Orient," Women's Writing in Britain,
1660-1830
, ed. Jennie Bachelor and Cora Kaplan (Palgrave Macmillan Press, 2005).

"Between Oriental and ‘Black So Called,’ 1688-1788” in The Postcolonial Enlightenment: Eighteenth-Century Colonialisms and Postcolonial Theories, eds. Daniel Carey and Lynn Festa. Oxford University Press, 2009 ).

"“Slavery, Blackness, and Islam: The Arabian Nights in the Eighteenth Century,” in “Slavery and the Culture of Abolition: Essays Marking the British Abolition Act of 1807,” special issue of Essays and Studies for the English Association, ed. Brycchan Carey and Peter Kitson. Woodbridge, Suffolk : Boydell and Brewer, 2007: 150-72.

"“Naughty Pamela’s ‘Sweet Confusion’” in Approaches to Teaching the Novels of Samuel Richardson, ed. Lisa Zunshine and Jocelyn Harris. MLA Publications, 2006: 63-69.

"Women and Race: A Difference of Complexion,’" In Women and Literature in Britain, 1700-1800. Ed. Vivien Jones. Cambridge: Cambridge Univ. Press, 2000: 69-88.

"Effeminacy and Femininity: Domestic Prose Satire and Fielding's David Simple," Eighteenth-Century Fiction 11.4 (July 1999): 421-44.

"Biographical Criticism and Theory." In Cambridge History of Literary Criticism, Vol. 4. Gen. Eds. H.B. Nisbet and Claude Rawson. Cambridge: Cambridge Univ. Press, 1997, pp. 832-36.

"One Part of Womankind: Prostitution and Sexual Geography in Memoirs of A Woman of Pleasure." differences, 7.2 (1995), 16-40.

"Gulliver’s Malice: Gender and the Satiric Stance." In Critical Approaches to Gulliver’s Travels. Ed. Christopher Fox. New York: St. Martin’s Press, 1994, pp. 318-334.

"‘Savage’ Mothers: Narratives of Maternity in the Mid-Eighteenth Century." Cultural Critique, 20 (Winter 1991-92), 123-151. Reprinted in Eighteenth-Century Life, 8, 16 n.s.1 (February 1992), 163-184.

Editor. "The Politics of Difference." Special issue of Eighteenth-Century Studies 23.4 (Summer 1990).

"Toward Conceptualizing Diary." In Studies in Autobiography. Ed. James Olney. Oxford: Oxford Univ. Press, 1988, pp. 128-140.

Felicity Nussbaum joined the Department of English in 1996.